{"id":11320,"date":"2021-10-27T14:00:00","date_gmt":"2021-10-27T12:00:00","guid":{"rendered":"https:\/\/fondazionefiladev.ive.ai\/?p=11320"},"modified":"2021-10-26T09:40:40","modified_gmt":"2021-10-26T07:40:40","slug":"sources-pierluigi-rolandos-sketches","status":"publish","type":"post","link":"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/","title":{"rendered":"SOURCES: PIERLUIGI ROLANDO\u2019S SKETCHES"},"content":{"rendered":"<div class=\"box-blog\">\n<p>\nFrench architect Le Corbusier once wrote: <\/p>\n<p class=\"quote\"> I prefer drawings rather than words. Drawing is faster, it can\u2019t allow lies.<\/p>\n<p> On the same topic Spanish painter Salvador Dal\u00ec was more concise: <\/p> <p class=\"quote\"> drawing is the honesty of art. There is no way to cheat: it can be good or bad. \n<\/p>\n\n<\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><noscript><img decoding=\"async\" src=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-727x1024.jpg\" alt class=\"wp-image-11308\" width=\"614\" height=\"864\" srcset=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-727x1024.jpg 727w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-213x300.jpg 213w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-768x1081.jpg 768w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-1091x1536.jpg 1091w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-1455x2048.jpg 1455w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-scaled.jpg 1818w\" sizes=\"(max-width: 614px) 100vw, 614px\"><\/noscript><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20614%20864%22%3E%3C%2Fsvg%3E\" alt class=\"wp-image-11308 lazyload\" width=\"614\" height=\"864\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20614%20864%22%3E%3C%2Fsvg%3E 614w\" sizes=\"(max-width: 614px) 100vw, 614px\" data-srcset=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-727x1024.jpg 727w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-213x300.jpg 213w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-768x1081.jpg 768w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-1091x1536.jpg 1091w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-1455x2048.jpg 1455w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-scaled.jpg 1818w\" data-src=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_GOLF-GROUND-GEAR_1983-84-trascinato-727x1024.jpg\"><figcaption><meta charset=\"utf-8\">GOLF GROUND GEAR 1983-84. All rights reserved<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"box-blog\">\n<p>\nAfter being considered preparatory to painting for a long time, the act of drawing is gaining a new reputation nowadays, with exhibitions, papers and entire sections of fairs devoted to it. In FILA tradition the reference artist is Pierluigi Rolando, who had always given drawing an almost psychoanalytical value: think about the prototype of the Borg polo shirt, with its vertical lines traced with a red feltpen, conscious that from that moment on there would have been no turning back. Or think about the earliest AQUA TIME swimsuits, with their minimal decorations reminding of Lucio Fontana, the artist who shaped modernity by renegotiating the concept of art itself.\n<\/p>\n<p>\nIn the Archive of Fondazione FILA Museum the designer\u2019s original sketches are preserved inside of a room with his own name, classified in big catalogs. The earliest MABY collection draw our attention for their richness of contents: looks often deal with writings, measures, color indications, notes and corrections. The advent of FILA SPORT emerges with strength, as confirmed by the use of colored crayons, feltpens and pantones. Similar to illustrations by Richard McGuire or to pop-up screens, Rolando\u2019s works appear with a multimedia spirit, as tridimensional as the textile samples glued on the paper with freedom. \n<\/p>\n\n<\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><noscript><img decoding=\"async\" src=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-726x1024.jpg\" alt class=\"wp-image-11311\" width=\"559\" height=\"788\" srcset=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-726x1024.jpg 726w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-213x300.jpg 213w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-768x1084.jpg 768w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-1089x1536.jpg 1089w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-1451x2048.jpg 1451w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-scaled.jpg 1814w\" sizes=\"(max-width: 559px) 100vw, 559px\"><\/noscript><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20559%20788%22%3E%3C%2Fsvg%3E\" alt class=\"wp-image-11311 lazyload\" width=\"559\" height=\"788\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20559%20788%22%3E%3C%2Fsvg%3E 559w\" sizes=\"(max-width: 559px) 100vw, 559px\" data-srcset=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-726x1024.jpg 726w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-213x300.jpg 213w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-768x1084.jpg 768w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-1089x1536.jpg 1089w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-1451x2048.jpg 1451w, https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-scaled.jpg 1814w\" data-src=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_BLOG-FONTI_SNOW-TIME-1981-trascinato-726x1024.jpg\"><figcaption><meta charset=\"utf-8\">SNOW TIME 1981<meta charset=\"utf-8\">. All rights reserved<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"box-blog\">\n<p>\nBy observing the chronological progression, connoisseurs will notice evolutions in the drawing themselves: aware of his creative status, the designer experiments with fluo colors, giving us a glimpse of cultural freedom in the Seventies and the Eighties. His smiling figures were often realized in collaboration with his wife Lydia, who worked specifically on faces. In the hieratic, often austere imaginary scenario of fashion, Pierluigi Rolando\u2019s sketches are a fitting exception, the witness of the positivist attitude FILA has always been promoting.    \n<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>French architect Le Corbusier once wrote: I prefer drawings rather than words. Drawing is faster, it can\u2019t allow lies. On the same topic Spanish painter Salvador Dal\u00ec was more concise: drawing is the honesty of art. There is no way to cheat: it can be good or bad. After being considered preparatory to painting for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-11320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SOURCES: PIERLUIGI ROLANDO\u2019S SKETCHES - Fondazione FILA Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SOURCES: PIERLUIGI ROLANDO\u2019S SKETCHES - Fondazione FILA Museum\" \/>\n<meta property=\"og:description\" content=\"French architect Le Corbusier once wrote: I prefer drawings rather than words. Drawing is faster, it can\u2019t allow lies. On the same topic Spanish painter Salvador Dal\u00ec was more concise: drawing is the honesty of art. There is no way to cheat: it can be good or bad. After being considered preparatory to painting for [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondazione FILA Museum\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/fondazionefila\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-27T12:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-26T07:40:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fondazionefiladev.ive.ai\/wp-content\/uploads\/2021\/10\/27OTT2021_FONTI_ROLANDOS-SKETCHES_COVER.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1192\" \/>\n\t<meta property=\"og:image:height\" content=\"624\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Fondazione\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fondazione\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/\"},\"author\":{\"name\":\"Fondazione\",\"@id\":\"https:\/\/fondazionefiladev.ive.ai\/en\/#\/schema\/person\/6552021df19f5f9b7f772a6ce3d5c9f5\"},\"headline\":\"SOURCES: PIERLUIGI ROLANDO\u2019S SKETCHES\",\"datePublished\":\"2021-10-27T12:00:00+00:00\",\"dateModified\":\"2021-10-26T07:40:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/\"},\"wordCount\":354,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/fondazionefiladev.ive.ai\/en\/#organization\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/\",\"url\":\"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/\",\"name\":\"SOURCES: PIERLUIGI ROLANDO\u2019S SKETCHES - 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Because he is from the snow\u00adcovered Alps, he is vulnerable to hot weather, and despite his size he has timid personality so he is always blushing. WONNIE is a gentle bear with heart of gold who easily find faults with himself even with small things but never blames others.\",\"sameAs\":[\"http:\/\/fondazionefila.ive.ai\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"SOURCES: PIERLUIGI ROLANDO\u2019S SKETCHES - Fondazione FILA Museum","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fondazionefiladev.ive.ai\/en\/sources-pierluigi-rolandos-sketches\/","og_locale":"en_US","og_type":"article","og_title":"SOURCES: PIERLUIGI ROLANDO\u2019S SKETCHES - Fondazione FILA Museum","og_description":"French architect Le Corbusier once wrote: I prefer drawings rather than words. Drawing is faster, it can\u2019t allow lies. 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